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Style in the Art Theory of Early Modern Italy de Philip Sohm
Descripción - Críticas 'Shines a brilliant new light upon the concept and descriptive terminology of artistic style.... Sohm's own writing style, exquisite, incisive, and frequently witty, makes this complex topic accessible, enjoyable, and thought provoking.' CAA Reviews'Sohm's engaging new book provides important insights, not only about art in the early modern period, but also on broader questions.' Renaissance Quarterly'Sohm writes (dare one say it?) with such style, and with such clarity, that his book is likely to be found accessible and engaging by scholars well beyond this restricted field. It is important reading for all who wish to understand the development of the theory and criticism of style, and its often frustratingly subjective nature.' Sharon Gregory, RACAR Reseña del editor Style is one of the oldest and most powerful analytic tools available to art writers. Through style, they have made attributions and dated paintings, classified works of art into artistic periods or schools, and verbally captured the visual essence of paintings. Despite the importance of style as an artistic, literary, and historiographic practice, the study of it as a concept has been intermittent, perhaps, as Philip Sohm argues, because style has resisted neat definition since the very origins of art history as a discipline. In this study, Sohm examines discussions of style from Vasari to Baldinucci, showing how the linguistic dimension of visual perception, the means through which painters styles have been described, and how concepts of language have shaped ideas of style. His analysis of the language that painters and their literate public used to characterize painters and paintings will enrich our understanding about the concept of style. Descripción del libro Style is one of the oldest and most powerful analytic tools available to art writers. Philip Sohm's analysis of the language that painters and their literate public used to characterize painters and paintings will enrich our understanding about the concept of style.
Detalles del Libro
- Name: Style in the Art Theory of Early Modern Italy
- Autor: Philip Sohm
- Categoria: Libros,Literatura y ficción,Historia, teoría literaria y crítica
- Tamaño del archivo: 9 MB
- Tipos de archivo: PDF Document
- Idioma: Español
- Archivos de estado: AVAILABLE
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STYLE IN THE ART THEORY OF EARLY MODERN ITALY ~ Style in the art theory of early modern Italy / Philip Sohm. p. cm. Includes bibliographical references and index. ISBN 0-521-78069-1 1. Art, Italian. 2. Art, Renaissance and Baroque – Italy. 3. Art – Philosophy. 4. Style (Philosophy) I. Title. N6914 .S65 2001 750'.1'8 – dc21 00-065141 ISBN 0 521 78069 1 hardback
Style in the Art Theory of Early Modern Italy ~ Style in the Art Theory of Early Modern Italy. By PHILIP SOHM. Cambridge U.P. 2001. pp.xii +315. £65.00 The cover of this book displays a self-portrait by Parmigianino in which the artist's hand figures strongly in front of his face. As mono (hand) is the etymological root of
Style in the art theory of early modern Italy (Book, 2001 ~ Get this from a library! Style in the art theory of early modern Italy. [Philip L Sohm] -- "When Giorgio Vasari invented the new literary form of art history, he attempted the first definition of style because, he believed, style gave structure to history. Artists signaled, with style, .
Style in the art theory of early modern Italy / Philip ~ "When Giorgio Vasari invented the new literary form of art history, he attempted the first definition of style because, he believed, style gave structure to history. Artists signaled, with style, essential information about themselves and their place in history: their character, their political alliances, their ideas about art. However, these signals, being visual and embedded in mimetic forms .
Rezension von: Philip L. Sohm, Style in the Art Theory of ~ Pfisterer, Ulrich (2003): Rezension von: Philip L. Sohm, Style in the Art Theory of Early Modern Italy (2001). In: Journal für Kunstgeschichte = Journal of art history. Die internationale Rezensionszeitschrift, Vol. 7: S. 208-212
Style in the Art Theory of Early Modern Italy (豆瓣) ~ Style is one of the oldest and most powerful analytic tools available to art writers. Through style, they have made attributions and dated paintings, classified works of art into artistic periods or schools, and verbally captured the visual essence of paintings.
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